sanet

In the year 2000, Saitou Tamaki published Sentou bishoujo no seishin bunseki, an early attempt at (psycho)analyzing Japan's budding otaku culture. I read sections of it in Japanese in 2010, but, frustrated by the psychoanalytic terminology, ended up working more off of others' critiques (notably Tom Lamarre's in The Anime Machine). From that exposure, I came to the conclusion that I did not like Saitou's general attitude towards otaku or fujoshi. Not at all. I thought it was condescending, pathologizing, heteronormative, and universalizing, in the way the worst psychoanalysis often is.

In 2011, the book was translated as Beautiful Fighting Girl by J. Keith Vincent and Dawn Lawson at the U of Minnesota Press. And reading the whole thing in English has changed my opinion, a little. I was surprised to find some ideas that I think do have value for creating a more nuanced and flexible idea of otaku, especially regarding the relation between image, reality, and sexuality. But these ideas are not things Saitou brings out well himself, and he often falls back on frustrating Freudian/Lacanian analyses that foreclose the potential of his own earlier suggestions.

Under the cut is a shorthand list of quotes and ideas I thought were helpful, and others I thought were rage-inducing.

( Quotes and thoughts )

In conclusion, there are lots of interesting things to be found in the book, including long excerpts from letters written by Japanese and American anime fans and a comprehensive lineage of the beautiful fighting girl figure from 1958-99, with examples from dozens of series. There are also a few good concepts hiding like diamonds in the rough of lamentable psychoanalysis. It's not a long book or a very difficult one, if you've got some critical theory under your belt. Anyone who wants to study otaku should read it -if mainly as something to move on from.

Today I'd like to write about Fujoshi no Hinkaku, or "The Dignity of Fujoshi." This semi-autobiographical manga-essay was written by an office worker/artist going under the pen name "Kusame," a pun on the characters for "rotten woman" in the word "fujoshi." It introduces readers to the world of Boy's Love fan culture through the character of Fujoko, an office lady and secret fujoshi who discovers that her strong, smart, fashionable boss Takayo also harbours a hidden passion for BL. Fujoko declares that if great women like Takayo can be fujoshi, she too will aim to become just like her. She will become a fujoshi with dignity!

( A Fresh take on Rotten Women )

As promised last week, are some thoughts on Genshiken and fandom. I'd write more of a preamble, but I need to get some lunch and start reading up on comics/manga history. I'm trying to sneak a half-chapter on anti-colonialism and comics into my thesis. We shall see how that goes. In the meantime...

( Genshiken )